Catherine Drolet has been in film production for 18 years. She worked on over 50 films and documentaries at the National Film Board of Canada and at InformAction Films before founding Films de l’Oeil Inc. She gained prominence as a producer with the feature-length documentary, Yesterday Still Hoping, broadcast on Radio-Canada, RDI and TV5 Monde and screened at numerous festivals and cinemas. The film was honoured at the Festival international des droits de l'homme in Paris. She also produced Small Wonders, selected for competition at Hot Docs and broadcasted on CBC. Catherine also worked from 2004 to 2008 on the feature-length documentary À Contre-courant, winner of the Télé-Québec public award at the Rendez-vous du cinéma québécois. Catherine curated the Encounter with the Ma’ohi culture of French Polynesia to the acclaim of the public and the international francophone media and was involved in the Polynesian dance episode of the documentary series Voulez-vous danser? (Artv) She has also presided on various juries, notably the Iris and Prix Gémeaux (Quebec Awards). Shen then launched launched the feature-length documentary No Land No Food No Life (Sans terre, c’est la faim) along with an interactive website. The film was selected by the VIFF and IDFA, and FFPE where it received a special jury mention, and Festival del Terre where it won the Crossroads / Images from the global South Prize. It has screened in cinemas, and been broadcast on Super Channel and Télé-Québec and numerous international broadcasters. Un gars, c'est un gars! (A Guy's a Guy!) was released in 2014. This debate-style film on school dropouts was shown on RDI and Radio-Canada. At the 2014 Prix Gémeaux both films were nominated for "Best Social Documentary" and Un gars, c’est un gars! was also up for "Best Research: Public Affairs, or Documentary Programming.” In 2017, Catherine released Cities Held Hostage, which is a vivid history of the enormous conglomerates that have defined North America, broadcasted on CBC, then on Radio-Canada in its French version titled Main basse sur la ville, after its premiere at Rendez-vous Québec Cinéma and it's release in theatre in 2018. Claude n’est pas mort is a touching portrait of the painting artist Claude Dolbec, who has chosen life on the margins for its access to fellowship and to beauty in its truest sense, also selected by Rendez-vous Québec Cinéma. It has been produced with the collaboration of Canal D which broadcasted the film in 2018, after a theatrical release. Claude n’est pas mort is finalist in 4 categories at the 2018 Prix Gémeaux: “Best Documentary or Documentary Series : Biography or Portrait”, “Best Documentary Direction: Biography or Portray, Arts and Culture, Nature, Sciences and Environment”, “Best Sound: Magazines, Public Affairs, Documentary Programming”, and, “Best Original Music: Documentary“. Rigorous and passionate, Catherine Drolet is skilled at assembling exceptional teams of artists and technicians to ensure that her productions bear a stamp of quality. A life-long learner fascinated by a multiplicity of topics, her formal education includes a Bachelor of Counseling (B.Ed., 1997), a diploma from HEC-Montreal in television and cinematographic production management education program (2010) and a Master in project management (MGP, 2015).